The South Korean Ipsa technique is close to damascene art, a technique consisting in inlaying one metal into another one, with threads or thin plaques of metal. It is a technique of decoration and ornamentation of the surface of a metal object which is in use in the Middle East and the Far East.
Since my first trip to South Korea in 2015, I have discovered the minimalist and highly symbolical Korean iconography. I was struck by the smoothness and the strength of these works of art. I realised that I had never dealt with patterns, decorations or ornamentation in my work. It would be an interesting challenge to confront them. I immediately planned a research work to learn the Ipsa technique. I met Hong-Jung-Sil, a Korean Intangible Cultural Heritage who has passed her knowledge to me since then. I am the first foreign person being taught by her.
In Korea, silver is preferred to other metals for inlaying techniques. Not only because gold is rare, but mainly because silver perfectly suits Korean people’s mentality.
I have been revisiting the Ipsa technique by changing the way the silver thread is used. Traditionally, it is an inherent part of the decoration of the steel plaque ; in my work, it comes out of the plaque and becomes part of the safety clasp of the piece. The inlaid thread is by no means an ornament but an inherent part of the piece, it becomes a part of its architecture.
Diverting this technique is for me a way of sublimating it while remaining faithful to the stylised iconography of this form of Korean art.
Sculpture, Ipsa Project, steel, silver, 20 x 0,2 cm, 2017